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loma and kept a steady job in the prison's textile plant, while also playing for the prison's country music band, attributing a 1958 performance by Johnny Cash at the prison as his main inspiration to join it. He was released from San Quentin on parole in 1960. In 1972, after Haggard had become an establish

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cian, always knowing what the other guy wanted. Steve Bannon had pressed him to invoke Andrew Jackson as his populist model, and he had loaded up on Jackson books (they remained unread). But his real beau ideal was Lyndon Johnson. LBJ was a big man who could knock heads, do deals, and bend lesser men to h

l pin, little-boyish. Bannon, the supposedly HOUSE_OVERSIGHT_019982 publicity-shy man, was eating up the camera. He was a country music star—he was Johnny Cash. He seized Priebus’s hand in a power handshake, then relaxed in his chair as Priebus came too eagerly forward in his. Priebus opened with traditiona