Epstein Secrets

t Service and CIA to establish the context of the John F. Kennedy Assassination. This interest continued on other o

e and CIA to establish the context of the John F. Kennedy Assassination. This interest continued on other o

Moscow. On November 1*, I still had not been able to make contact with Anatoly Kucherena, and my flight back to New York was in five days. My fixer, Zamir, had been trying to arrange an appointment for three weeks but he had only received one call back from Kucherena’s assistant, Valentina Vladimirovna

rk on Wall Street: Money Never Sleeps, a film in which I had a cameo role. I had also debated Stone about the his- torical accuracy of his 1991 movie JFK at Town Hall in New York. When we dined, he had just written, produced, and directed Snowden, an independently financed film depicting Snowden, as S

a highly respected TV producer in Mos- cow, who I was told had helped “fix” the Bamford interview with Snowden. “There is only one door to Snowden,” Zamir wrote to me. “His name is Kucherena.” Zamir said Kucherena rarely saw journal- ists, but he had a contact in his office. He further told me Kucher- e

ork in Wall Street IT: Money Never Sleeps, a film in which I had a cameo role. I also had debated Stone about the historic accuracy of his 1990 movie JFK at Town Hall in New York. When we dined, he had just written, produced, written and directed “Snowden,” an independently-financed film depicting Sno

cer in Moscow, who I was told had helped “fix” the Bamford interview with Snowden. HOUSE_OVERSIGHT_020344 193 “There is only one door to Snowden,” Zamir wrote me. “His name is Kucherena.” Since Zamir said Kucherena rarely saw journalists he that he had a contact in his office. He further told me Kuche