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From: Gregory Brown To: undisclosed-recipients:; Bee: jeevacation@gm
tation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward the end of the '60s, Byrd became fascinated with Miles Davis' move into fusion, and started recording his own forays into the field. In the early '70s, with the help of brothers Larry and Fonce Mizell, Byrd pe
e is also the recipient of honorary degrees from Brown University, Duke University, Bard College, and t
and hip hop musical traditions; while his 1993 recording of the critically acclaimed Miles and Quincy Live At Montreux, featured Quincy conducting Miles Davis' live performance of the historic Gil Evans arrangements from the Miles Ahead, Porgy and Bess and Sketches of Spain sessions, garnered a Grammy Awa
From: Gregory Brown Sent: Sunday, March 8, 2015 8:53 AM To: undis
tation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward th= end of the '60s, Byrd became fascinated with Miles Davis' move into fusion, and started recording hi= own forays into the field. In the early '70s, with the help of brothers Lar=y and Fonce Mizell, Byrd per
Entities connected to both Julie K. Brown and Miles Davis'

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