Epstein Secrets

ct: Date: Attachments: Inline-Images: Gregory Brown undisclosed-recipients:; [email protected]

fy the ancient artifact. Artists lowered themselves in baskets from the top to study it in detail. Later it was a favorite attraction for tourists: Goethe, the German poet, climbed the 185 internal steps in 1787 to "enjoy that incomparable view." Plaster casts of the column were made starting in the 15

nnamable, op. cit., pp. 394-95. aceThere was never . . . me of me.a A A a Valery, op. cit., p. 40. AceWhen I dream I . I not . . . Nature% A A 54. Brown, op. cit., p. 100. acea fall into . . . natural object: tprojected.aTMa Acethe death of . . . birth of poetry.fi A A a Ibid., p. 107 (quoting Blake)

w York: Harper & Row, 1958), p. 186. aceThe elementary particles . things and facts.A A A 41. Andrade e Silva and Lochak, op. cit., p. 148 (quoting Goethe). aceDo not look . . . up the doctrine.a A A 42. Stevens, Necessaty Angel, p. 95. ficeTo confront fact . . . Of the thing.a A A 43 Stevens, aceLife

f his involvement with Aldous Huxley and Barbara Brown in the Los Angeles covey of early American LSD ex

, the Cabalist’s Yesod, the Sufis Baraka, the Christian Holy Spirit, the Yogic breath energy, prana, Mesmer’s animal magnetism, Galvani’s life force, Goethe’s Gestaltung, Madam Blavatsky’s astral light, Georg Groddeck’s it, Henri Bergson’s elan vitale, Schroedingers entropy, Abraham Maslow, Ruth Benedict

s of the New Caste - like Alan Kay or John Seeley Brown- but also a series of fundamental inventions that

ese sacrifices marked sailing adventure. But they knew the rewards for areal mastery of the sea: Fame, riches, knowledge, adventure. Sloterdijk cites Goethe, who reflecting on the power of nautical life in 1787, defined the edgy advantage of that ocean-mapping caste in his age: They had perspective. “No o

barely), the red lines shift. Just before Louise Brown’s birth in 1978, many people were worried that sh

particular, sun-scorched, caterpillar-chewed clover found outside your house in an atlas. No, you aimed—if you were a genius natural philosopher like Goethe, Albinus, or Cheselden—to observe nature but then to perfect the object in question, to abstract it visually to the ideal. Take a skeleton, view it t

barely), the red lines shift. Just before Louise Brown’s birth in 1978, many people were worried that sh

particular, sun-scorched, caterpillar-chewed clover found outside your house in an atlas. No, you aimed—if you were a genius natural philosopher like Goethe, Albinus, or Cheselden—to observe nature but then to perfect the object in question, to abstract it visually to the ideal. Take a skeleton, view it t