Epstein Secrets

nated more than $100,0O0 to Democratic candidates' campaigns, including John Kerry's presidential bid, the reelection campaign of New Mexico Gov. Bill Richardson and the Senate bids of Joe Lieberman, Hillary Rodham Clinton, Christopher Dodd and Charles Schumer. Powerful Mends and enemies A Vanity Fair pro

s, Epstein gave: _$50,000 for Gov. Bill Richardson's 2002 campaign and, under the name of one of his companies, The Zorro Trust, another $50,000 to Richardson's re- election campaign this year. _$15,000 to attorney general candidate Gary King. _$10,000 to state land commissioner candidate Jim Baca. _$2,0

s when they need to be placed somewhere. Wake up Governor Richardson, people are taking notice. How can you go to you

ent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa

ated more than' $100,000 to Democratic candidates' campaigns, including John Kerry's presidential bid, the reelection campaign of New Mexico Got. Bill Richardson and the Senate bids of Joe Lieberman, Hillary Rodham Clinton, Christopher Dodd and Charles Schumer. PoWeiful friends and enemies A Vanity Fair p

the reelection campaign of New Mexico Gov. Bill Richardson and the SE of Joe Lieberman, Hillary Clinton, Ch

ent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa

1980s producer Narada Michael Walden, Claytoven Richardson, Theo Peoples, Tony Lindsey and Skyler Jett, whic

on lyrics about the ghettos and inner cities of black America, these songs were heavily influenced by the work of singer-songwriters Isaac Hayes and Curtis Mayfield. Unlike Hayes and Mayfield however, the Temptations had no creative control over their recordings, and were in no way fond of the twelve- and thirt