Epstein Secrets

INTELLECTUAL JAZZ DAVID AGUS DAN ARIELY KEITH BLACK DAVID BLAINE MIKE BLOCK ADAM BLY SCOTT BOLTON DAVI

ology, when he became fascinated with the work of Paul Rand and Muriel Cooper. Cooper was a director of MIT’s

INTELLECTUAL JAZZ DAVID AGUS DAN ARIELY KEITH BLACK DAVID BLAINE MIKE BLOCK ADAM BLY SCOTT BOLTON DAVID BROOKS MARK CUBAN ANTONIO DAMASIO JACK DANGERMOND DAVE GALLO FRANK GEHRY MATT GROENING HERBIE HANC

onsider it filled merely with random events, with Black Swans. In fact, regularities and patterns appear

76 HOUSE_OVERSIGHT_018308 Chapter Five: Fishnet In which we learn why networks spread so quickly. 1. In 1959 a young aeronautical engineer named Paul Baran, who had been working at Howard Hughes’ aircraft design factory in Los Angeles, arrived for his first day at work at a low-slung, modern building alo

f “Actor Network Theory” has called this process “Black Boxing”. The better your phone works, the less yo

e things we do want from connectivity. In fact - and this is Hulsted’s point — they are the things we want from connectivity, perverted into danger. Paul Baran would have been impressed to see just how right he was, how connections between us now are like irresistible gravity waves - and how gravity always w