Epstein Secrets

more in- formation before deciding whether to quash a plea agreement that put Palm Beach billionaire Jeffrey Epstein be- hind bars for 18 months. Brad Edwards, a Hollywood attor- ney representing three girls who claim they were sexually abused by Epstein, appeared before U.S. District Judge Kenneth Marra

ctims not consulted in plea negotiations From Page Al County Jail, includes an agreement that the federal government will not prosecute Epstein. Edwards said his clients were not con- sulted when the plea deal was negotiated. The girls, each identified public- ly as a "Jane Doe," were about to be na

ent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa

Epstein has said. He also owns Little St. James. a 70-acre island in the U.S. Virgin Islands. where the main house is currently being renovated by Edward Tut- tle. a designer of the Amanresorts. There is also a 56.8 million house in Palm Beach, Florida. and a fleet of aircraft: a Gulfstrcam IV. a he

nt Williamsburg nightspots. PHARRELL1A/ILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa

rly of the Contours that Eddie Kendricks and Otis Williams already had pegged as a potential Ruffin replacement, was hired to take Ruffin's place. Edwards and Ruffin were good friends, and at first, Ruffin went along with the changing of the guard and encouraged Edwards. However, at Edwards' official d

on lyrics about the ghettos and inner cities of black America, these songs were heavily influenced by the work of singer-songwriters Isaac Hayes and Curtis Mayfield. Unlike Hayes and Mayfield however, the Temptations had no creative control over their recordings, and were in no way fond of the twelve- and thirt