Epstein Secrets

24 Occupation . : PERSONAL ASSISTANT Home Phone No. : 212/750-9895 Sex • Female Weight 0 I N G I N F 0 -# 1 ****** *** Last Name . . : KELLEN, SARAH LYNNELLE Employer? . . : Oper Lic No. . : Race • White Height • 508 Other Phone Nbr: 917/855-3363 07/26/17 Page 1 of 111 Public Reco

Brillo Way. Upon arrival, I met with reporting party/victim Jeffrey Epstein, white male, dob/012053. Epstein advised he and his personal assistant Sarah Kellen, white female, dob/052579, arrived in the residence on Friday evening, 10/3/03. Epstein advised that on Saturday evening 10/4/03, he left his brief

bserved several photographs of naked women along the walls and tables of the house. further explained that she was brought into the bedroom, where Sarah prepared the room by setting up the massage table and provided the oils for her to rub on Epstein. 4 10explained she remembered the steam room area,

friendgatie herd*, bag of shoes with that receipt inelde and she had no Idea how this.had happened. Soon after, Baltizar One another Malt Officer Carrie intO the store in his Mid 20's, black, and large built. She began exPleihing that .her boyfilend had bought shoes for her father and that they didn'

c) Johnson, Loretta (Cnty Court) Johnson, Nide (Gun Club) Johnson, H. Quinn (DOVE-TD) Jones, Jeffery (Set Team) Jordan, Damaris (DOVE) Jordan, Ellen (HOM) Katz Jon Kay, Steven Kalman, Rachel Kenneway, Deborah King, Angela King., Mercedes Kinsey, Charles (So Cnty) (Exec) (Appeals) (INTA

y,' and Epstein was told never to come back." CONTRIBU' Homi Furthermore, the parent of one of Epstein's youngest victims is outraged that he R Sarah aymond, t could walk without registering as a sex offender and tells Radar, "What this man others did to my daughter was horrible. He thinks that

eph (Juv Intake) Smith, Autumn (Fel R) Smith, Lori (Admin) Smith, Christine (GrJury/Hom Smith, Stephen (Fel R) Smith, Valerie (DOVE) Soden, Carrie (COMBAT) Ullman*, Nicolina (CC M) Stamey-Eddins, Pate (CC) Stephens, Farah (INTAKE) Stocked, Eileen (CAC-Juv) Taketani, Sachiko (Juv Intake

of the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make-up artists systematically work on 250 extras. A m

ing me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of ca

of the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make-up artists systematically work on 250 extras. A m

lling me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of ca

the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make- up artists systematically work on 250 extras. A

ing me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of

f the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make-up artists systematically work on 250 extras. A

ing me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia. who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of c

f the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchese with a enormous wired silver bow. Twenty hairdressers and make-up artists systematically work on 250 extras. A

ng me to get into the film. Thursday, November 5, Shun Lee Restaurant, \Vest 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously. Oliver decides this is the perfect scene for Graydon Caner. After a flurry of ca

the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a wired silver bow. Twenty hairdressers and make-up artists systematically work on 250 extras. A mile of t

socialites begin calling to get into the film. Thursday, November 5, Shun Lee Restaurant Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Graydon Carter, playing himself, sashays by the table and Gordon Gekko jumps up to say hello. G

erent angles all afternoon. Financial wizard Don Marron saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has

of the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make- up artists systematically work on 250 extras. A

erent angles all afternoon. Financial wizard Don Marron saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has be

of the most expensive elaborate designer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make- up artists systematically work on 250 extras. A