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ic nervous system (dys) function. Music perception, 27(4), 317. Fechner, G. T. (1876). Vorschule der Aesthetik. Leipzig: Breitkopf & Hanel. James, W. (1884). What is an emotion? Mind, (34), 188-205. Kreibig, S. D. (2010). Autonomic nervous system activity in emotion: A review. Biological psycholo
and Theater ArtslScience Initiative 2014 Faculty Collaboration Grant Greg Norman, Department of Psychology Berthold Hoeckner, Department of Music Howard Nusbaum, Department of Psychology Introduction The overarching goal of our proposal is to better understand the mechanisms through which actors and musici
belief for such investigation, see the essays by W. Clark Gilpin and Tanya Luhrmann in this volume.
o report unusual sensory experiences. They would be more able, in short, to experience God. The more quantitative work—done in collaboration with Howard Nusbaum and Ron Thisted--suggests that those who have a proclivity for absorption and who trained that proclivity through prayer are indeed more able to
belief for such investigation, see the essays by W. Clark Gilpin and Tanya Luhrmann in this volume.
ly to report unusual sensory experiences. They would be more able, in short, to experience God. The more quantitative work—done in collaboration with Howard Nusbaum and Ron Thisted--suggests that those who have a proclivity for absorption and who trained that proclivity through prayer are indeed more able to acco
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