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t included von Foerster, Bateson, Zen philosopher Alan Watts, and dolphin researcher John Lilly convene
nt-garde program at the Poetry Center at the 92nd St Y in New York. Preceding and following Brockman on the program, respectively, were evenings by John Cage and Jorge Luis Borges. This was the era of ficeThe Living Theatre,fi of Antonin AnaudaTMs ficetheatre of cruelty,fi and the management of the Poetry
nd Atoms. He is the author of AB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Design
self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a
nd Atoms. He is the author of AB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Design
self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a
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