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d with Dana Mackenzie, is Zhe Book of Why: The Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. New Science of Cause and Effect. Steven Pinker, a Johnstone Fami
ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts
6937 THE HUMAN STRATEGY Alex “Sandy” Pentland Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. In the last half-century, the idea of AI and intelligent robots h
agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M
d with Dana Mackenzie, is Zhe Book of Why: The Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. New Science of Cause and Effect. Steven Pinker, a Johnstone Fami
ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts
6354 THE HUMAN STRATEGY Alex “Sandy” Pentland Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. In the last half-century, the idea of AI and intelligent robots h
agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M
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