Epstein Secrets

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &

whip that lashes us.” Mind, Thinking, Intelligence Among the reasons we don’t hear much about “Cybernetics” today, two are central: First, although Zhe Human Use of Human Beings was considered an important book in its time, it ran counter to the aspirations of many of Wiener’s colleagues, including John von Neumann and Claude

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist

ht tomorrow’s artificial intelligence be different if practitioners were to re-invest in Wiener’s guiding vision of “information”? When Wiener wrote Zhe Human Use of Human Beings, his experiences of war-related research, and of what struck him as the moral ambiguities of intellectual life amid the military-industrial complex,

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &

whip that lashes us.” Mind, Thinking, Intelligence Among the reasons we don’t hear much about “Cybernetics” today, two are central: First, although Zhe Human Use of Human Beings was considered an important book in its time, it ran counter to the aspirations of many of Wiener’s colleagues, including John von Neumann and Claude

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist

ht tomorrow’s artificial intelligence be different if practitioners were to re-invest in Wiener’s guiding vision of “information”? When Wiener wrote Zhe Human Use of Human Beings, his experiences of war-related research, and of what struck him as the moral ambiguities of intellectual life amid the military-industrial complex,