Epstein Secrets

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M