Epstein Secrets

rowitz said in a statement, "Julie and Elliot are bold= innovative, adventurous artists. We first worked together in 1984 on a 60-=inute version for Theatre for a New Audience's A Midsummer Night's Dream=/i> presented at the Public Theater. Twenty-nine years later, it's thrillin= they are directing and composing the first fu

red Taymor's film versions of The Tempe=t and Titus. He won the Academy Award for his score to Taymor4>=804os film Frida. His original two-act opera Grendel, direct=d by Taymor, premiered at the Los Angeles Opera. In 1998 Taymor beca=e the first woman in history to win the award for Best Direction of a

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose

al scored Taymor's film versions of The Tempest and Titus. He won the Academy Award for his score to Taymor's film Frida. His original two-act opera Grendel, directed by Taymor, premiered at the Los Angeles Opera. In 1998 Taymor became the first woman in history to win the award for Best Direction of a M

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose

al scored Taymor's film versions of The Tempest and Titus. He won the Academy Award for his score to Taymor's film Frida. His original two-act opera Grendel, directed by Taymor, premiered at the Los Angeles Opera. In 1998 Taymor became the first woman in history to win the award for Best Direction of a M