g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

the play with=children "to play with their energy and physicality and to think ab=ut raw elemental energy." Ms. Taymor's long- time partner, E=liot Goldenthal, will compose original music for "Midsummer."=br> "There is a visceral nature to the theater, and I want to ha=e that in the production," said Ms. T

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempe=t for Theatre for a New Audience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew,

g to TFANA, in 1986, Horowitz invited Ta=mor to stage The Tempest for Theatre for a New Audience. It was the f=rst play by Shakespeare she directed. Goldenthal composed the original musi=. Taymor and Goldenthal later directed and composed Theatre for a New Audie=ce's productions of The Taming of the Shrew,

or a New Audience'= productions of The Tempest,The Taming of the Shrew, Titus=Andronicus and The Green Bird, which transferred to Broadway in 2=00. Goldenthal scored Taymor's film versions of The Tempe=t and Titus. He won the Academy Award for his score to Taymor4>=804os film Frida. His original two-act op