Epstein Secrets

rowitz said in a statement, "Julie and Elliot are bold= innovative, adventurous artists. We first worked together in 1984 on a 60-=inute version for Theatre for a New Audience's A Midsummer Night's Dream=/i> presented at the Public Theater. Twenty-nine years later, it's thrillin= they are directing and composing the first fu

e affairs of men and women. If history teaches us anything, this =idsummer should be visually potent: In 1998, Taymor became the first wo=an to win the Tony Award for Best Direction of a Musical - and also wo= a Tony for Best Costumes - for her production of The Lion King= acknowledged as a masterstroke of design, direction, movement and mas

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose

e affairs of men and women. If history teaches us anything, this Midsummer should be visually potent: In 1998, Taymor became the first woman to win the Tony Award for Best Direction of a Musical and also won a Tony for Best Costumes for her production of The Lion King, acknowledged as a masterstroke of design, direction, movement and mask wo

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose

e affairs of men and women. If history teaches us anything, this Midsummer should be visually potent: In 1998, Taymor became the first woman to win the Tony Award for Best Direction of a Musical and also won a Tony for Best Costumes for her production of The Lion King, acknowledged as a masterstroke of design, direction, movement and mask wo