Epstein Secrets

g to TFANA, in 1986, Horowitz invited Ta=mor to stage The Tempest for Theatre for a New Audience. It was the f=rst play by Shakespeare she directed. Goldenthal composed the original musi=. Taymor and Goldenthal later directed and composed Theatre for a New Audie=ce's productions of The Taming of the Shrew,

or a New Audience'= productions of The Tempest,The Taming of the Shrew, Titus=Andronicus and The Green Bird, which transferred to Broadway in 2=00. Goldenthal scored Taymor's film versions of The Tempe=t and Titus. He won the Academy Award for his score to Taymor4>=804os film Frida. His original two-act op

e affairs of men and women. If history teaches us anything, this =idsummer should be visually potent: In 1998, Taymor became the first wo=an to win the Tony Award for Best Direction of a Musical - and also wo= a Tony for Best Costumes - for her production of The Lion King= acknowledged as a masterstroke of design, direction, movement and mas

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

e affairs of men and women. If history teaches us anything, this Midsummer should be visually potent: In 1998, Taymor became the first woman to win the Tony Award for Best Direction of a Musical and also won a Tony for Best Costumes for her production of The Lion King, acknowledged as a masterstroke of design, direction, movement and mask wo

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

e affairs of men and women. If history teaches us anything, this Midsummer should be visually potent: In 1998, Taymor became the first woman to win the Tony Award for Best Direction of a Musical and also won a Tony for Best Costumes for her production of The Lion King, acknowledged as a masterstroke of design, direction, movement and mask wo