Epstein Secrets

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempe=t for Theatre for a New Audience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew,

the play with=children "to play with their energy and physicality and to think ab=ut raw elemental energy." Ms. Taymor's long- time partner, E=liot Goldenthal, will compose original music for "Midsummer."=br> "There is a visceral nature to the theater, and I want to ha=e that in the production," said Ms. T

ort Greene, Brooklyn, but it hadn't y=t been decided which Bard play she'd choose to direct. Taymor ("The Lion Ki=g") has long been associated with TFANA, beginning with a 1986 staging of "=he Tempest" and followed by "The Taming of the Shrew," "Titus Andronicus" a=d "The Green Bird," a 1996 staging o

g to TFANA, in 1986, Horowitz invited Ta=mor to stage The Tempest for Theatre for a New Audience. It was the f=rst play by Shakespeare she directed. Goldenthal composed the original musi=. Taymor and Goldenthal later directed and composed Theatre for a New Audie=ce's productions of The Taming of the Shrew,

or a New Audience'= productions of The Tempest,The Taming of the Shrew, Titus=Andronicus and The Green Bird, which transferred to Broadway in 2=00. Goldenthal scored Taymor's film versions of The Tempe=t and Titus. He won the Academy Award for his score to Taymor4>=804os film Frida. His original two-act op

ollowed by "The Taming of the S=rew," "Titus Andronicus" and "The Green Bird," a 1996 staging of a Carlo Go=zi play that moved to Broadway in 2000. TFANA's new building -- the f=rst permanent home for the troupe, which was founded in 1979 -- will includ= a 299-seat mainstage and a 50-seat second space

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

ollowed by "The Taming of the Shrew," 'Titus Andronicus" and "The Green Bird," a 1996 staging of a Carlo Gozzi play that moved to Broadway in 2000. TFANA's new building -- the first permanent home for the troupe, which was founded in 1979 — will include a 299-seat mainstage and a 50-seat second space.

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

ollowed by "The Taming of the Shrew," 'Titus Andronicus" and "The Green Bird," a 1996 staging of a Carlo Gozzi play that moved to Broadway in 2000. TFANA's new building -- the first permanent home for the troupe, which was founded in 1979 — will include a 299-seat mainstage and a 50-seat second space.