Epstein Secrets

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempe=t for Theatre for a New Audience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew,

the play with=children "to play with their energy and physicality and to think ab=ut raw elemental energy." Ms. Taymor's long- time partner, E=liot Goldenthal, will compose original music for "Midsummer."=br> "There is a visceral nature to the theater, and I want to ha=e that in the production," said Ms. T

ctio= at the new base. The new theatre has been designed by architect Hugh Hardy a=d will contain two spaces: a flexible 299-seater inspired by the Cottesloe aspan>at the National Theatre <http://www.guardian.co.uk/stage/national-theatre> , as well as a 50-seat studio. In a st=tement, the company said: "I

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

ction at the new base. The new theatre has been designed by architect Hugh Hardy and will contain two spaces: a flexible 299-seater inspired by the Cottesloe at the National Theatre as well as a 50-seat studio. In a statement, the company said: "It is a uniquely flexible space which combines an Elizabetha

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

ction at the new base. The new theatre has been designed by architect Hugh Hardy and will contain two spaces: a flexible 299-seater inspired by the Cottesloe at the National Theatre as well as a 50-seat studio. In a statement, the company said: "It is a uniquely flexible space which combines an Elizabetha