Epstein Secrets

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempe=t for Theatre for a New Audience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew,

the play with=children "to play with their energy and physicality and to think ab=ut raw elemental energy." Ms. Taymor's long- time partner, E=liot Goldenthal, will compose original music for "Midsummer."=br> "There is a visceral nature to the theater, and I want to ha=e that in the production," said Ms. T

ience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew, Titus Andronicus and in 1996, Carlo Gozzi's <=>The Green Bird, which transferred to Broadway in 2000. Compo

g to TFANA, in 1986, Horowitz invited Ta=mor to stage The Tempest for Theatre for a New Audience. It was the f=rst play by Shakespeare she directed. Goldenthal composed the original musi=. Taymor and Goldenthal later directed and composed Theatre for a New Audie=ce's productions of The Taming of the Shrew,

or a New Audience'= productions of The Tempest,The Taming of the Shrew, Titus=Andronicus and The Green Bird, which transferred to Broadway in 2=00. Goldenthal scored Taymor's film versions of The Tempe=t and Titus. He won the Academy Award for his score to Taymor4>=804os film Frida. His original two-act op

rowitz said in a statement, "Julie and Elliot are bold= innovative, adventurous artists. We first worked together in 1984 on a 60-=inute version for Theatre for a New Audience's A Midsummer Night's Dream=/i> presented at the Public Theater. Twenty-nine years later, it's thrillin= they are directing and composing the first fu

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose