Epstein Secrets

EFTA02565627 The Samuel H. Scripps Mainstage, the firs= stage built for Shakespeare and classic drama in New York City since Linco=n Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre'= Cottesloe. According to TFANA, "It is a uniquely flexible space which comb=nes an Elizabethan courtyard

ter for a New Audience "never does big budgets." 2 EFTA_R1_01730182 EFTA02565623 Ms. Taymor said she was talking over ideas fo= "Midsummer" with Es Devlin, the British set and costume de=igner who is known for big-budget spectacles like the closing ceremony for t=e London Olympic Games last summer. "M

o (50 seats). The Samuel H. Scr=pps Mainstage, the first stage built for Shakespeare and classic drama in N=w York City since Lincoln Center's 1965 Vivian Beaumont, is inspired by the=Royal National Theatre's Cottesloe. According to TFANA, "It is a uniquely f=exible space which combines an Elizabethan courtyard

$75 million budget, more than twice as much money as any Broadway sho= in history. Ms. Taymor said she was talking over ideas for "=idsummer" with Es Devlin, the British set and costume designer who i= known for big-budget spectacles like the closing ceremony for the London O=ympic Games last summer. "M

(50 seats). The Samuel H. Scripps Mainstage, the first stage built for Shakespeare and classic drama in New York City since Lincoln Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre's Cottesloe. According to TFANA, "It is a uniquely flexible space which combines an Elizabethan courtyard

$75 million budget, more than twice as much money as any Broadway show in history. Ms. Taymor said she was talking over ideas for "Midsummer" with Es Devlin, the British set and costume designer who is known for big-budget spectacles like the closing ceremony for the London Olympic Games last summer. "M

(50 seats). The Samuel H. Scripps Mainstage, the first stage built for Shakespeare and classic drama in New York City since Lincoln Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre's Cottesloe. According to TFANA, "It is a uniquely flexible space which combines an Elizabethan courtyard

dget, more than twice as much money as any Broadway show in history. EFTA00396526 Ms. Taymor said she was talking over ideas for "Midsummer" with Es Devlin, the British set and costume designer who is known for big-budget spectacles like the closing ceremony for the London Olympic Games last summer. "M