Epstein Secrets

cting a new production for the Theatre of A=MIDSUMMER NIGHT'S DREAM. Scroll down this email to review the articles from The New York Times, Variety, The Los Angeles Times, T=e Guardian, and other sources. This production will be the inaugural show in our first home currently under construction in the Downtown Brookl

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempe=t for Theatre for a New Audience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew,

the play with=children "to play with their energy and physicality and to think ab=ut raw elemental energy." Ms. Taymor's long- time partner, E=liot Goldenthal, will compose original music for "Midsummer."=br> "There is a visceral nature to the theater, and I want to ha=e that in the production," said Ms. T

ting a new production for the Theatre of A MIDSUM M=R NIGHT'S DREAM. Scroll down this email to review the articles f=om The New York Times, Variety, The Los Angeles Times, The Guardi=n, and other sources. Thi= production will be the inaugural show in our Bes= wishes from =nbsp; James Lynesch:p> ao:p> James J. Ly

g to TFANA, in 1986, Horowitz invited Ta=mor to stage The Tempest for Theatre for a New Audience. It was the f=rst play by Shakespeare she directed. Goldenthal composed the original musi=. Taymor and Goldenthal later directed and composed Theatre for a New Audie=ce's productions of The Taming of the Shrew,

or a New Audience'= productions of The Tempest,The Taming of the Shrew, Titus=Andronicus and The Green Bird, which transferred to Broadway in 2=00. Goldenthal scored Taymor's film versions of The Tempe=t and Titus. He won the Academy Award for his score to Taymor4>=804os film Frida. His original two-act op

cting a new production for the Theatre of A MIDSUMMER NIGHT'S DREAM. Scroll down this email to review the articles from The New York Times, Variety, The Los Angeles Times, The Guardian, and other sources. This production will be the inaugural show in our first home currently under construction in the Downtown Brookly

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak

cting a new production for the Theatre of A MIDSUMMER NIGHT'S DREAM. Scroll down this email to review the articles from The New York Times, Variety, The Los Angeles Times, The Guardian, and other sources. This production will be the inaugural show in our first home currently under construction in the Downtown Brookly

g to TFANA, in 1986, Horowitz invited Taymor to stage The Tempest for Theatre for a New Audience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets;

simply Midsummer, to open a new theatre in New York on 19 October. The production will be a full-length version of the hour-long staging Taymor and Goldenthal worked on in 1984 for Theatre for a New Audience which is moving into a new permanent home in Brooklyn this October. Taymor directed her first Shak