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Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
unt the order of my interviewers questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the l
Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
nt the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the l
Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
unt the order of my interviewers questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the l
Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
unt the order of my interviewers questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the l
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