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Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
Art is never simple. To return to my lecturing days: I automatically gave low marks when a student used the dreadful phrase "sincere and simple"-- "Flaubert writes with a style which is always simple and sincere"-- under the impression that this was the greatest compliment payable to prose or poetry. Wh
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
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