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e Blues -- Eddie & Gerald Levert — Wind Beneath My Wings -- https://youtu.be/wSxblTzc53M Nat Kin Cole & Natalie Cole — Un or enable -- EFTA00837879 Stanley Clarke, Marcus Miller & Victor Wooten — Thunder -- story fbid=1663946803820329&id=1605844102963933& rdr Pattie LaBelle — You Are My Friend -- Heart — Stair

9U Zucchero & Pavarotti — Miserere https://youtu.bekPINgW6GS-Q Johnny Guitar Watson — A real mother for Ya hops://youtu.be/x-f5iOHYcW4 Miles Davis John Coltrane — So What -- hup youtu.be/6w4FlaIci0ll Lucio Dalla — Cara -- https://youtu.be/zUyQkutes10 Les McCann 8r Eddie Harris — Compared to What -- https://y

y of work. Most recently Clarke won the EFTA00673237 2013 and 2014 Downbeat Magazine's Reader's and Critic's Poll for Best Electric Bass Player. Stanley Clarke was barely out of his teens when he exploded into the jazz world in 1971. Fresh out of the Philadelphia Academy of Music, he arrived in New York Cit

sense of lyricism and melody, which he had distilled from his bass heroes Charles Mingus, Scott LaFaro and others, as well as non-bass players like John Coltrane. Clarke fired the bass "shot heard round the world" that started the '7os bass revolution and paved the way for all bassists/soloists/bandleaders t

s again. Leaving Circle, =orea played briefly with Stan Getz and then formed Return to Forever, which started out as a melodic Brazilian group wi=h Stanley Clarke, Joe Farrell, Airto, and Flora Purim. Within a year, C=rea (with Clarke, Bill Co=nors, and Lenny White) had changed Return to Forever into a pace-se

orever. Along with Herbie Hanco=k, McCoy Tyner, and Keith Jarrett, he has been described as one of the major jazz piano voices =o emerge in the post-John Coltrane era. Corea continued to pursue other collaborations and to explore various musical styles throughout the 1980s and 1990s. As one of the few electri