Epstein Secrets

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. New Science of Cause and Effect. Steven Pinker, a Johnstone Family Professor in the Department of Psychology at Harvard University, is an experime

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development

edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. In the last half-century, the idea of AI and intelligent robots has dominated thinking about the relationship between humans and computers. In part

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. New Science of Cause and Effect. Steven Pinker, a Johnstone Family Professor in the Department of Psychology at Harvard University, is an experime

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development

edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. In the last half-century, the idea of AI and intelligent robots has dominated thinking about the relationship between humans and computers. In part