Epstein Secrets

rdings ;) .... Do you have a sound file of your experiment? I'd be curious to hear... Interestingly, the "plumbing" work we've been doing to connect OpenCog to the Hanson robots would also enable us to use OpenCog for music composition / improvisation experimentation ... (i.e. we've been dealing with rea

? I'd be curious to hear... Interestingly, the "plumbing" work we've been doing to connect OpenCog to the Hanson robots would also enable us to use OpenCog for music composition / improvisation experimentation ... (i.e. we've been dealing with real-time input and output, which we hadn't been doing befo

matical music-structure factors, as in the vein of the two papers I linked above -- human psychology factors as modeled e.g. in Joscha's work and in the Component Process Model ( http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%208-2009-Scherer-3459-74.pdf) which we have introduced into the OpenCo

ious to hear... »» »» Interestingly, the "plumbing" work we've been doing to connect OpenCog »» to the Hanson robots would also enable us to use OpenCog for music »» composition / improvisation experimentation ... (i.e. we've been »» dealing with real-time input and output, which we hadn't been do

cture factors, as in the vein of the »» two papers I linked above »» »» -- human psychology factors as modeled e.g. in Joscha's work and in »» the Component Process Model ( »» EFTA00671312 • » http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%20B-2009-Scherer- 3459-74.pdf) • » which we hav

n 2016 ...)... >>> »> I can explain to you my specific plan for solving the "sensible, >> > context-appropriate language generation" problem in an OpenCog context >> > sometime if you're curious... EFTA00823663 »> >» part 1 is here » > >» https://anciv.org/abs/1401.3372 »> »> and part 2 is here

» >» » » the »>»»» two papers I linked above » >» » » »>»»» -- human psychology factors as modeled e.g. in Joscha's work and »>»»» in »>»»» the Component Process Model ( » >» » » » >» » » » >» » » » >» » » >> >>> >> >> http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%20B-2009- Scherer-

. » » » »»» Interestingly, the "plumbing" work we've been doing to connect >> >> » OpenCog »»» to the Hanson robots would also enable us to use OpenCog for music >> >> >> composition / improvisation experimentation ... (i.e. we've been >> >> >> dealing with real-time input and output, which we hadn

ors, as in the vein of the »»» two papers I linked above » » » >> >> >> -- human psychology factors as modeled e.g. in Joscha's work and in »»» the Component Process Model ( » » » » » » » » » >> >> >> http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%20B-2009- Scherer-3459-74.pdf) >> >> >> w

>>>>>> Interestingly, the "plumbing" work we've been doing to connect >>>>>>>>» OpenCog >>>>>>>>>> to the Hanson robots would also enable us to use OpenCog for >>>>>>>>» music >>>>>>>>>> composition / improvisation experimentation ... (i.e. we've been >>>>>>>>» dealing with real-time input and output,

>>>>>>>>» two papers I linked above >>>>>>>>» >>>>>>>>>> -- human psychology factors as modeled e.g. in Joscha's work and >>>>>>>>» in >>>>>>>>>> the Component Process Model ( >>>>>>>>» >>>>>>>>» >>>>>>>>» >>>>>>>>» >>>>>>>>>> http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%20B-2009- Schere

>> >> >> » Interestingly, the "plumbing" work we've been doing to connect »»»» OpenCog >> >> >> » to the Hanson robots would also enable us to use OpenCog for »»»» music >> >> >> » composition / improvisation experimentation ... (i.e. we've been >> >> >> » dealing with real-time input and output, wh

» » the >> >> >> » two papers I linked above » » » » >> >> >> -- human psychology factors as modeled e.g. in Joscha's work and » » » » in »»»» the Component Process Model ( » » » » » » » » » » » » » » » » >> >> >> >> http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%20B-2009- Scherer-3459-

>>>>>>>> Interestingly, the "plumbing" work we've been doing to connect >>>>>>>» OpenCog >>>>>>>>> to the Hanson robots would also enable us to use OpenCog for >>>>>>>» music >>>>>>>>> composition / improvisation experimentation ... (i.e. we've been >>>>>>>» dealing with real-time input and output, wh

he >>>>>>>>> two papers I linked above >>>>>>>» >>>>>>>>> -- human psychology factors as modeled e.g. in Joscha's work and >>>>>>>» in >>>>>>>>> the Component Process Model ( >>>>>>>» >>>>>>>» >>>>>>>» >>>>>>>» >>>>>>>>> http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%208-2009- Scherer-345

» » »»» Interestingly, the "plumbing" work we've been doing to connect >> >> » OpenCog >> >> >> to the Hanson robots would also enable us to use OpenCog for music >> >> >> composition / improvisation experimentation ... (i.e. we've been »»» dealing with real-time input and output, which we hadn't b

factors, as in the vein of the »»» two papers I linked above » » » »»» -- human psychology factors as modeled e.g. in Joscha's work and in »»» the Component Process Model ( » » » » » » » » » >> >> >> http://boccignone.di.unimi.it/CompAff2015_files/Phil.%20Trans.%20R.%20Soc.%20B-2009-Scherer- 3459-74.pdf) >> >> >>