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the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe from la
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe 10 EFT
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe from la
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe 10 EFT
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe 10 EFT
pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l
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