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eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da
its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). Seth Lloyd is a theoretical physicist at MIT, Nam P. Suh Professor in the Department of Mechanical Engineerin
ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy
its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). In The Sleepwalkers, a sweeping history of scientific thought from ancient times through the Renaissance, Art
eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da
its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). Seth Lloyd is a theoretical physicist at MIT, Nam P. Suh Professor in the Department of Mechanical Engineerin
ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy
its Program in Science, Technology & Society. He is the author of How the Hippies Saved Physics: Science, Counterculture, and the Quantum Revival and American Physics and the Cold War Bubble (forthcoming). In The Sleepwalkers, a sweeping history of scientific thought from ancient times through the Renaissance, Art
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