Epstein Secrets

ard performed live. All four composers were colleagues in turn-of-the-century Vienna (a noted pedagogue, Fuchs in fact taught the other three), and Botstein brought them together in hopes that by showing us how they dealt with 1900fin de siecle angst, we might connect with their music and "so define our

cert fare, the American Symphony Orchestra programs always look enticing. Ever since he became the orchestra's conductor and music director in 1992, Leon Botstein has been uncovering a buried repertory that our more timid musical organizations avoid, and he is not above stretching a point to put his discoveri

n 1907; if such works are still worth hearing at all, they should surely be sampled on reference recordings rather than in a concert. Zemlinsky and Schreker had more individual voices, and both deserve careful reassessment, although I wonder if they are well served by being exposed in an academic context

mainder of his catalog remains elusive. His second opera, Fredegundis, has never received a modern performance or recording, to my knowledge. And so Botstein and his forces performed an important service by giving us the opportunity to hear the uniquely fascinating score for Notre Dame. It was an especia

2, the American Symphony Orchestra ranks as one of the most important contributors to the classical music scene in New York. Under the leadership of Leon Botstein, the ASO offers thematic series of concerts that highlight the connections between music and literature and their cultural, political, and historic

ve years overlapped with an impressive array of brilliant composers including Bruckner and Brahms early on, and then later, Mahler, Reger, Pfitzner, Schreker, Zemlinsky, Strauss, and many others. With such stiff competition from the nationalist and modernist musical movements, it seems inevitable that —

lease use my information below as a reference. > ORESTEIA > BY SERGEY TANEYEV > U.S. Stage Premiere > American Symphony Orchestra > Conducted by Leon Botstein, music director > Directed by Thaddeus Strassberger > • Russian composer Sergey Taneyev's extraordinary but neglected opera conveys the searing d

l of his son Orestes. Director Thaddeus Strassberger returns to SummerScape after his successes in previous seasons with Meyerbeer's Les Huguenots, Schreker's Der ferne Klang, and Chabrier's Le roi malgre lui. Sung in the original Russian with English supertitles. > Sosnoff Theater (Fisher Center for th

From: Jeffrey Epstein <[email protected]> To: Lesley Groff Subject: Re: Leon Botstein's Concert Info (slight change from Leon's dates) Date: Tue, 09 Jul 2013 15:15:01 +0000 i will fly from boston to nearest aiport to leon on the 28th

al of his son Orestes. Director Thaddeus Strassberger returns to SummerScape after his successes in previous seasons with Meyerbeer's Les Huguenots, Schreker's Der ferne Kiang, and Chabrier's Le roi malgre lui. Sung in the original Russian with English supertitles. LINKS: fishercenter.bard.edu/summersca

e my information below as a reference. >> >> ORESTEIA >> BY SERGEY TANEYEV » U.S. Stage Premiere >> American Symphony Orchestra >> Conducted by Leon Botstein, music director » Directed by Thaddeus Strassberger >> >> Russian composer Sergey Taneyev's extraordinary but neglected opera conveys the searing

l of his son Orestes. Director Thaddeus Strassberger returns to SummerScape after his successes in previous seasons with Meyerbeer's Les Huguenots, Schreker's Der ferne Klang, and Chabrier's Le roi malgre lui. Sung in the original Russian with English supertitles. >> >> Sosnoff Theater (Fisher Center f

lease use my information below as a reference. > ORESTEIA > BY SERGEY TANEYEV > U.S. Stage Premiere > American Symphony Orchestra > Conducted by Leon Botstein, music director > Directed by Thaddeus Strassberger > • Russian composer Sergey Taneyev's extraordinary but neglected opera conveys the searing d

l of his son Orestes. Director Thaddeus Strassberger returns to SummerScape after his successes in previous seasons with Meyerbeer's Les Huguenots, Schreker's Der ferne Klang, and Chabrier's Le roi malgre lui. Sung in the original Russian with English supertitles. > Sosnoff Theater (Fisher Center for th

From: Jeffrey Epstein <[email protected]> To: Lesley Groff Subject: Re: Leon Botstein's Concert Info (slight change from Leon's dates) Date: Tue, 09 Jul 2013 15:47:41 +0000 no it doesn't work , ill re organnize On Tue, Jul 9, 2013 at

al of his son Orestes. Director Thaddeus Strassberger returns to SummerScape after his successes in previous seasons with Meyerbeer's Les Huguenots, Schreker's Der ferne Klang, and Chabrier's Le roi malgre lui. Sung in the original Russian with English supertitles. LINKS: fishercenterbard.edu/summerscap

rmation below as a reference. >> >> ORESTEIA >> BY SERGEY TANEYEV >> >> U.S. Stage Premiere >> >> American Symphony Orchestra >> Conducted by Leon Botstein, music director » Directed by Thaddeus Strassberger >> >> Russian composer Sergey Taneyev's extraordinary but neglected opera conveys the searing

l of his son Orestes. Director Thaddeus Strassberger returns to SummerScape after his successes in previous seasons with Meyerbeer's Les Huguenots, Schreker's Der ferne Klang, and Chabrier's Le roi malgre lui. Sung in the original Russian with English supertitles. >> >> Sosnoff Theater (Fisher Center f

To: Jefffrey [email protected] From: Lesley Groff Sent Tue 7/9/2013 2:34:46 PM Subject: Leon Botstein's Concert Info (slight change from Leon's dates) Below are the links to the SummerScape program (opera, etc...) and to the Bard Music Festival, but

l of his son Orestes. Director Thaddeus Strassberger returns to SummerScape after his successes in previous seasons with Meyerbeer's Les Huguenots, Schreker's Der ferne Kiang, and Chabrier's Le roi malgre lui. Sung in the original Russian with English supertitles. LINKS: fishercenter.bard.edu/summersca