Epstein Secrets

hiatrist and neuroscientist who studies creativity, I've had the pleasure of working with many gifted and high-profile subjects over the years, but Kurt Vonnegut—dear, funny, eccentric, lovable, tormented Kurt Vonnegut—will always be one of my favorites. Kurt was a faculty member at the Iowa Writers' Worksho

nded up losing their battles with mental illness through suicide are Virginia Woolf, Ernest Hemingway, Vincent van Gogh, John Berryman, Hart Crane, Mark Rothko, Diane Arbus, Anne Sexton, and Arshile Gorky. My interest in this pattern is rooted in my dual identities as a scientist and a literary scholar. I

er they go, and if them, then why not everyone? If we all have those tools to some extent, shouldn’t we all be able to benefit? These scenarios echo Kurt Vonnegut’s 1961 short story “Harrison Bergeron,” in which exceptional aptitude is suppressed in deference to the mediocre lowest common denominator of society

that science has become a subgenre of art history. ... We now have lots of abstract computer patterns that might look like a Paul Klee painting, or a Mark Rothko, or all sorts of other abstractions that we know from art history. The only difference, I think, is that in current scientific thought they’re percei

er they go, and if them, then why not everyone? If we all have those tools to some extent, shouldn’t we all be able to benefit? These scenarios echo Kurt Vonnegut’s 1961 short story “Harrison Bergeron,” in which exceptional aptitude is suppressed in deference to the mediocre lowest common denominator of society

that science has become a subgenre of art history. ... We now have lots of abstract computer patterns that might look like a Paul Klee painting, or a Mark Rothko, or all sorts of other abstractions that we know from art history. The only difference, I think, is that in current scientific thought they’re percei