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e the question has been asked. Principles are something dWerent: a set of values that have to be adapted to circumstances but not compromised away. George Packer (journalist) THIS WEEK's MUSIC Not knowing what I wanted to do with this week's music, I went on YouTube to get inspired and came across Joe Pass,
traint on vendettas against investigative journalism. But the character of the FISA court order shows how far the abuses have reached beyond party. William Binney quit the NSA in 2001, in disgust at its policy of encroachment in the name of protection. Today on Democracy Now, Binney gave a precise idea of the
ing the Manning files on WikiLeaks.) In Berlin, Appelbaum went to extreme lengths to protect him- self from American surveillance. For example, when George Packer interviewed him for The New Yorker in 2014, he insisted on meet- | | Epst_9780451494566_2p_all_r1.z.indd 53 @ 9/29/16 5:51 Pa | | HOUSE_OVERSIGHT_0
ork Times website and attracted enormous attention in 2012. As a dedicated opponent of the surveillance state, she participated in public events with William Binney, the ex-NSA whistle-blower, and Jacob Appelbaum. In April 2012, for example, she made a pre- sentation at the Whitney Museum in New York with Binney
leased the Manning files on Wikileaks. In Berlin, Appelbaum went to extreme lengths to protect himself from American surveillance. For example, when George Packer interviewed him for the New Yorker, in 2014, he insisted on meeting with Packer naked in a sauna so he could be sure Packer did not have a recording
ork Times website and attracted enormous attention in 2012. As a dedicated opponent of the surveillance state, she participated in public events with William Binney, the now famous ex-NSA whistle-blower, and Jacob Appelbaum. In April 2012, for example, she made a presentation at the Whitney Museum in New York wit
r I The Great Divide 1. CitizenFour can be seen in its entirety on-line at https://thoughtmaybe.com/citizenfour/ 2. “Sitting on his unmade bed...”— George Packer, “The Holder of Secrets,” New Yorker, October 20, 2014 3. “This powerful narrative...” See Greenwald, op. cit. pp. 248-254. Snowden “Trapped: Interv
eed, one reason he chose Poitras was that she was a prize-winning/ documentary film-maker who had already made a documentary about NSA whistle-blower William Binney. Snowden, while he was still working at the NSA in March 2013, made it clear how he intended to use Poitras' film-making skills. He told her: “My per
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