Epstein Secrets

ish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case, guests are like pygmies next to the nearby twice-life-size sculpture o

e's a classic iceberg. What you see is not what you get." Even acquaintances sense a curious dichotomy: Yes, he lives like a "modern maharaja," as Leah Kiernan, one of his art dealers, puts it. Yet he is fastidiously, almost obsessively private-he lists himself in the phone book under a pseudonym. He rarely

were imported from England. where they were made for in- jured soldiers. Next comes a marble foyer. which does have a painting, in the man- ner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case. guests are like pygmies next to the nearby twice-life-size sculpture

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: les. he lives like a "modern ma- haraja." as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously. a4 most obsessively private—he lists himself in the phone book under a pseudonym. He r

were imported from England. where they were made for in- jured soldiers. Next comes a marble foyer. which does have a painting, in the man- ner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case. guests are like pygmies next to the nearby twice-life-size sculpture

's a classic iceberg. What you see is not what you get.- ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja:' as Leah Kiernan, one of his an dealers. puts it. Yet he is fastidiously, al- most obsessively private—he fists himself in the phone book under a pseudonym. He ra

ish, were imported from England, where they were made for injured soldiers. Next comes a marble foyer, which does have a painting, in the manner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case, guests are like pygmies next to the nearby twice-life-size sculpture o

ten better that people hate me, not the client." "You've probably heard I'm vicious ins my representation of my clients,- he tells people proudly; Leah Kiernan describes his haggling over art prices as something like ; a scene out of the movie Mad Mar Be- yond Thunderdome. Even a former mentor g says he's

were imported from England. where they were made for in- jured soldiers. Next comes a marble foyer, which does have a painting, in the man- ner of Jean Dubuffet ... but the host coyly refuses to tell visitors who painted it. In any case. guests are like pygmies next to the nearby twice-life-size sculpture

's a classic iceberg. What you see is not what you get." en acquaintances sense a curious dichotomy: Yes, he lives like a "modern ma- haraja." as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r