Epstein Secrets

c Dolphy. He joined Quincy Jones in a tour of Europe that stretched from 1960 to 1961. Per a recommendation from Miles Davis, Hubbard was signed to Blue Note, where he recorded Open Sesame, his solo debut, in 1960 at the age of 22. The album, which also featured Tina Brooks and EFTA00721063 McCoy Tyner

ers. In the span of a few short years, this hard-blowing young lion had quickly established himself as an important new voice in jazz. Hubbard left the Jazz Messengers in 1964 to form his own small group, whose ranks included Kenny Barron and Louis Hayes. Throughout the remainder of the decade, he also played in ba

le simultaneously remaining a jazz artist. He recorded prolifically as both a leader and sideman from the mid-'5os into the mid-'6os, most often for Blue Note, where he established a reputation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward the end of the '60s

Art Blakey's Jazz Messengers, as replacement for Clifford Brown. In 1955, he recorded with Gigi Gryce Jackie McLean and Mal Waldron. After leaving the Jazz Messengers in 1956, he performed with many leading jazz musicians of the day, including John Coltrane, Sonny Rollins, Thelonious Monk, and later Herbie Hancoc

e simultaneously remain=ng a jazz artist. He recorded prolifically as both a leader and sideman from the mid -'50s into the mid-'60s, m=st often for Blue Note, where he established a reputation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward th= end of the '60s

Art Blakey's Jazz Messengers, as replacement for Clifford Brown. In 1955, he recorded with Gigi Gryce Jackie McLean and Mal Waldron. After leaving the Jazz Messengers in 1956, he performed with many leading j=zz musicians of the day, including John Coltrane, Sonny Rollins, Thelonious Mo=k, and later Herbie Hancock