Epstein Secrets

ah, Tone Loc, the Luniz, Brian McKnight, Melle Mel, Shaquille O’Neal, Joshua Redman, the Broadway musical troupe Stomp, SWV, Take 6, newcomer Tamia, Toots Thielemans, Mervyn Warren, Barry White, Warren Wiebe, Charlie Wilson, Nancy Wilson, Stevie Wonder, Mr. X, and Yo-Yo, among others, and garnered seven Grammy nom

ng the artists he recorded in Europe were Charles Aznavour, Jacques Brel and Henri Salvador, as well as such visitors from America as Sarah Vaughan, Billy Eckstine and Andy Williams. Quincy’s love affair with European audiences continues through the present: in 1991, he began a continuing association with the Mo

for his singular technique of whistling an octave above his guitar, ifs said that comes from Slam Stewart (1914-87), the humming virtuoso bassist. Toots Thielemans did it all — the guitar, the whistling, the harmonica. (He struggled with asthma to do so.) Now, he sticks to the instrument he can carry in his poc

video.) A year later, he appeared on the Julian Lennon song "Too Late for Goodbyes" from the album Valotte. In 1984, he recorded the final album of Billy Eckstine (I Am a Singer), featuring ballads and standards arranged and conducted by Angelo DiPippo. In the 1990s, Thielemans embarked on theme projects that

Tone Loc, the Luniz, Brian McKnight, Melle Mel, Shaquille O'Neal, Joshua Redman, the Broadway musical troupe Stomp, SW V, Take 6, newcomer Tamia, Toots Thielemans, Mervyn Warren, Barry White, Warren Wiebe, Charlie Wilson, Nancy Wilson, Stevie Wonder, Mr. X, and Yo-Yo, among others, and garnered seven Grammy

the artists he recorded in Europe were Charles Aznavour, Jacques Brel and Henri Salvador, as well as such visitors from America as Sarah Vaughan, Billy Eckstine and Andy Williams. Quincy's love affair with European audiences continues through the present: in 1991, he began a continuing association with the