Epstein Secrets

as I am concerned. I was never exposed in the twenties and thirties, as so many of my coevals have been, to the poetry of the not quite first-rate Eliot and of definitely second-rate Pound. I read them late in the season, around 1945, in the guest room of an American friend's house, and not only re

wed by emigre readers but were absolutely banned in Soviet Russia-- as they still are (except in the case of a few dead authors such as Kuprin and Bunin, whose heavily censored works have been recently reprinted there), no matter the theme of the story or poem. An emigre novel, published, say, in Pa

as I am concerned. I was never exposed in the twenties and thirties, as so many of my coevals have been, to the poetry of the not quite first-rate Eliot and of definitely second-rate Pound. I read them late in the season, around 1945, in the guest room of an American friend's house, and not only re

wed by emigre readers but were absolutely banned in Soviet Russia-- as they still are (except in the case of a few dead authors such as Kuprin and Bunin, whose heavily censored works have been recently reprinted there), no matter the theme of the story or poem. An emigre novel, published, say, in Pa

as I am concerned. I was never exposed in the twenties and thirties, as so many of my coevals have been, to the poetry of the not quite first-rate Eliot and of definitely second-rate Pound. I read them late in the season, around 1945, in the guest room of an American friend's house, and not only re

wed by emigre readers but were absolutely banned in Soviet Russia-- as they still are (except in the case of a few dead authors such as Kuprin and Bunin, whose heavily censored works have been recently reprinted there), no matter the theme of the story or poem. An emigre novel, published, say, in Pa

as I am concerned. I was never exposed in the twenties and thirties, as so many of my coevals have been, to the poetry of the not quite first-rate Eliot and of definitely second-rate Pound. I read them late in the season, around 1945, in the guest room of an American friend's house, and not only re

wed by emigre readers but were absolutely banned in Soviet Russia-- as they still are (except in the case of a few dead authors such as Kuprin and Bunin, whose heavily censored works have been recently reprinted there), no matter the theme of the story or poem. An emigre novel, published, say, in Pa

as I am concerned. I was never exposed in the twenties and thirties, as so many of my coevals have been, to the poetry of the not quite first-rate Eliot and of definitely second-rate Pound. I read them late in the season, around 1945, in the guest room of an American friend's house, and not only re

wed by emigre readers but were absolutely banned in Soviet Russia-- as they still are (except in the case of a few dead authors such as Kuprin and Bunin, whose heavily censored works have been recently reprinted there), no matter the theme of the story or poem. An emigre novel, published, say, in Pa