Epstein Secrets

s” of the Industrial Revolution, and perhaps even earlier, to the archetypes of Prometheus, Pandora, and Faust. And today it has gone into high gear. Jeremiahs, many of them (like Wiener) from the worlds of science and technology, have sounded alarms about nanotechnology, genetic engineering, Big Data, and p

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

based intelligence was simply a catalyst for the evolution of silicon-based intelligence. For quite a long time, both Hollywood movies and scientific Jeremiahs have been predicting our eventual capitulation to our computer overlords. We all await the singularity, which always seems to be just over the horizo

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development

s” of the Industrial Revolution, and perhaps even earlier, to the archetypes of Prometheus, Pandora, and Faust. And today it has gone into high gear. Jeremiahs, many of them (like Wiener) from the worlds of science and technology, have sounded alarms about nanotechnology, genetic engineering, Big Data, and p

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

based intelligence was simply a catalyst for the evolution of silicon-based intelligence. For quite a long time, both Hollywood movies and scientific Jeremiahs have been predicting our eventual capitulation to our computer overlords. We all await the singularity, which always seems to be just over the horizo

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development