Epstein Secrets

fic even though no one seems to be in control. There are three laws of artificial intelligence. The first, known as Ashby’s Law, after cybernetician W. Ross Ashby, author of Design for a Brain, states that any effective control system must be as complex as the system it controls. The second law, articulated by

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History

rence to make a difference. In this way of looking at the world, a control system needed to be as complex as the system it controlled. Cyberneticist W. Ross Ashby proved that this was true in a precise mathematical sense, in what is now called Ashby’s Law of Requisite Variety, or sometimes the First Law of Cybe

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernat

fic even though no one seems to be in control. There are three laws of artificial intelligence. The first, known as Ashby’s Law, after cybernetician W. Ross Ashby, author of Design for a Brain, states that any effective control system must be as complex as the system it controls. The second law, articulated by

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History

rence to make a difference. In this way of looking at the world, a control system needed to be as complex as the system it controlled. Cyberneticist W. Ross Ashby proved that this was true in a precise mathematical sense, in what is now called Ashby’s Law of Requisite Variety, or sometimes the First Law of Cybe

of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernat