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hine and founded what may have been the first Al company—Thinking Machines Corporation—to produce and market it. This was despite a lunch he had with Richard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
hine and founded what may have been the first Al company—Thinking Machines Corporation—to produce and market it. This was despite a lunch he had with Richard Feynman, at which the celebrated physicist remarked, “That is positively the dopiest idea I ever heard.” Maybe “despite” is the wrong word, since Feynman had
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
not from their institutional affiliations. Brockman, on the strength of his trilogy, was summoned at the last minute to replace the keynote speaker Richard Feynman, who had been hospitalized. Later, in New York, on a visit to Brockman in New York, Bateson told him, ficeThe cybernetic idea is the most important
observation can also be applied to books. Hans Ulrich Obrist, London, April 2014 EFTA_R1_02124767 EFTA02711
s welcome new edition of BrockmanaTMs Afterwords is a thoroughly inspiring reminder of the fact that this observation can also be applied to books. Hans Ulrich Obrist, London, April 2014 EFTA_R1_02124767 EFTA02711251
Afterwords, which were very much on their wavelength. I jumped at the opportunity, the main reason being that the keynote speaker was none other than Richard Feynman. I love 12 HOUSE_OVERSIGHT_016232 to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no phys
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
Afterwords, which were very much on their wavelength. I jumped at the opportunity, the main reason being that the keynote speaker was none other than Richard Feynman. I love 12 HOUSE_OVERSIGHT_016815 to spend time with physicists, the reason being that they think about the universe, 1.e. everything. And no phys
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
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