Epstein Secrets

Rauschenberg, Andy Warhol. several kinetic and "happenings" artists, avant- garde film-makers and dramatists, the Velvet Underground, and composer John Cage. This immersion in New York's arts scene also led to deep interest in science and technology Many of the pieces at the festival were informed by

ology Many of the pieces at the festival were informed by artists' interest in cybernetics. They were reading and discussing books by scientists. Rauschenberg suggested to Brockman that he read George Gantow's One, Two, Threw... Infinity and The Mysterious Universe. Gerd Stern, co-founder of media colle

stance, simply rolling =hite house paint onto smooth surfaces. EFTA_R1_01244901 EFTA02325585 Source: San =rancisco Museum of Modern Art Composer John Cage, author of the =amous piece of silence known as 4'33", described the paintings as landing =trips for invisible motes and shadows. Rauschenberg calle

Composer John Cage, author of the =amous piece of silence known as 4'33", described the paintings as landing =trips for invisible motes and shadows. Rauschenberg called them =locks: If one were sensitive enough that you could read it, =hat you would know how many people were in the room, what time it was, =n

Rauschenberg, Andy Warhol, several kinetic and "happenings" artists, avant- garde film-makers and dramatists, the Velvet Underground, and composer John Cage. This immersion in New York's arts scene also led todeep interest in science and technology. Many of the pieces at the festival were informed by

logy. Many of the pieces at the festival were informed by artists' interest in cybernetics. They were reading and discussing books by scientists. Rauschenberg suggested to Brockman that he read George Gatnow's One. Two, Three... Infinity and The Mysterious Universe. Gerd Stem, co-founder of media collec