Epstein Secrets

ax Tegmark, Jaan Tallinn, Steven Pinker, David Deutsch, Tom Griffiths, Anca Dragan, Chris Anderson, David Kaiser, Neil Gershenfeld, W. Daniel Hillis, Venki Ramakrishnan, Alex “Sandy” Pentland, Hans Ulrich Obrist, Alison Gopnik, Peter Galison, George M. Church, Caroline A. Jones, Stephen Wolfram. I see The Deep Think

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

ly we collaborated on a panel during the “GUEST, GHOST, HOST: MACHINE!” Serpentine event that took place at London’s new City Hall. We were joined by Venki Ramakrishnan, Jaan Tallinn, and Andrew Blake, research director of The Alan Turing Institute. The event was consistent with HUO’s mission of bringing together art

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M

ax Tegmark, Jaan Tallinn, Steven Pinker, David Deutsch, Tom Griffiths, Anca Dragan, Chris Anderson, David Kaiser, Neil Gershenfeld, W. Daniel Hillis, Venki Ramakrishnan, Alex “Sandy” Pentland, Hans Ulrich Obrist, Alison Gopnik, Peter Galison, George M. Church, Caroline A. Jones, Stephen Wolfram. I see The Deep Think

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

ly we collaborated on a panel during the “GUEST, GHOST, HOST: MACHINE!” Serpentine event that took place at London’s new City Hall. We were joined by Venki Ramakrishnan, Jaan Tallinn, and Andrew Blake, research director of The Alan Turing Institute. The event was consistent with HUO’s mission of bringing together art

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M