Epstein Secrets

rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is

d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized

, prompting him to ask, “Do we need a new set of guiding metaphors?” 108 HOUSE_OVERSIGHT_016911 “INFORMATION” FOR WIENER, FOR SHANNON, AND FOR US David Kaiser David Kaiser is Germeshausen Professor of the History of Science and professor of Physics at MIT, and head of its Program in Science, Technology & Soc

ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti

rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is

d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized

ines to seem as smart as a mosquito, forever descending the cosmic gradients to an ultimate goal, whatever that may be. 107 HOUSE_OVERSIGHT_016327 David Kaiser is a physicist atypically interested in the intersection of his science with politics and culture, about which he has written widely. In the first m

ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti