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of the Cognitive Systems Laboratory at UCLA. His most recent book, co-authored with Dana Mackenzie, is Zhe Book of Why: The Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurshi
d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized
of human systems in ways you could never do before.” 134 HOUSE_OVERSIGHT_016937 THE HUMAN STRATEGY Alex “Sandy” Pentland Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurshi
ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti
of the Cognitive Systems Laboratory at UCLA. His most recent book, co-authored with Dana Mackenzie, is Zhe Book of Why: The Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurshi
d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized
of human systems in ways you could never do before.” 134 HOUSE_OVERSIGHT_016354 THE HUMAN STRATEGY Alex “Sandy” Pentland Alex “Sandy” Pentland is Toshiba Professor and professor of media arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurshi
ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti
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