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nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
whip that lashes us.” Mind, Thinking, Intelligence Among the reasons we don’t hear much about “Cybernetics” today, two are central: First, although Zhe Human Use of Human Beings was considered an important book in its time, it ran counter to the aspirations of many of Wiener’s colleagues, including John von Neumann and Claude
and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
ht tomorrow’s artificial intelligence be different if practitioners were to re-invest in Wiener’s guiding vision of “information”? When Wiener wrote Zhe Human Use of Human Beings, his experiences of war-related research, and of what struck him as the moral ambiguities of intellectual life amid the military-industrial complex,
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
whip that lashes us.” Mind, Thinking, Intelligence Among the reasons we don’t hear much about “Cybernetics” today, two are central: First, although Zhe Human Use of Human Beings was considered an important book in its time, it ran counter to the aspirations of many of Wiener’s colleagues, including John von Neumann and Claude
and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
ht tomorrow’s artificial intelligence be different if practitioners were to re-invest in Wiener’s guiding vision of “information”? When Wiener wrote Zhe Human Use of Human Beings, his experiences of war-related research, and of what struck him as the moral ambiguities of intellectual life amid the military-industrial complex,
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