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nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. New Science of Cause and Effect. Steven Pinker, a Johnstone Family Professor in the Department of Psychology at Harvard University, is an experime
and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. In the last half-century, the idea of AI and intelligent robots has dominated thinking about the relationship between humans and computers. In part
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. New Science of Cause and Effect. Steven Pinker, a Johnstone Family Professor in the Department of Psychology at Harvard University, is an experime
and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
edia arts and sciences, MIT; director of the Human Dynamics and Connection Science labs and the Media Lab Entrepreneurship Program, and the author of Social Physics. In the last half-century, the idea of AI and intelligent robots has dominated thinking about the relationship between humans and computers. In part
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