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kitchen, was named art's second most powerful figure in 2010 and 2011 by Art Review, after being its most powerful the previous year. Obrist joined the Serpentine Gallery in 2006, as Co-director of Exhibitions and Programmes, and the Director of International Projects. Prior to this engagement, he served as the Curato
Projects. Prior to this engagement, he served as the Curator of the Musee d'Art Moderne de la Ville de Paris, since 2000. Before arriving in Paris, Obrist was curator of Museums in Progress, Vienna, from 1993 until 2000. In all, since 1991 Obrist has curated over 150 exhibitions internationally. Along
y/Edge =ollaboration in building a significant arts institution in Silicon =alley. This project is spearheaded by Hans Ulrich Obrist, Co-Director =f the Serpentine Gallery, who is considered to be the leading art =urator in the world. Interested? Let me know. Finally, spend New Year Eve watching the videos, published
pioneer in computation, software, the =nternet (Gates, Page, Zuckerberg); 3) a major player in the avant grade =rt world (Prada, Hoffmann, Elkann, Obrist). So, if you take the time to =rite a response, your participation will be noticed: the Question has a =ide international readership and receives in
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
t visit to London, Jaan and I participated on an AI panel for the Serpentine Gallery’s Marathon at London’s City Hall, under the aegis of Hans Ulrich Obrist (another contributor to this volume). This being the art world, there was a glamorous dinner party that night in a mansion filled with London’s beaut
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
t visit to London, Jaan and I participated on an AI panel for the Serpentine Gallery’s Marathon at London’s City Hall, under the aegis of Hans Ulrich Obrist (another contributor to this volume). This being the art world, there was a glamorous dinner party that night in a mansion filled with London’s beaut
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