Epstein Secrets

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

: The New Science of Cause and Effect. As a former physicist, I was extremely interested in cybernetics. Though it did not utilize the full power of Turing Machines, it was highly transparent, perhaps because it was founded on classical control theory and information theory. We are losing this transparency now, w

and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

brains conceptually, formally, might work—an artificial neural network. They saw that their brainlike model would do computations in the same way as Turing Machines. From their work, it emerged that we could make brainlike neural networks that would act as general computers. And in fact, the practical work done b

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

: The New Science of Cause and Effect. As a former physicist, I was extremely interested in cybernetics. Though it did not utilize the full power of Turing Machines, it was highly transparent, perhaps because it was founded on classical control theory and information theory. We are losing this transparency now, w

and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

brains conceptually, formally, might work—an artificial neural network. They saw that their brainlike model would do computations in the same way as Turing Machines. From their work, it emerged that we could make brainlike neural networks that would act as general computers. And in fact, the practical work done b