Epstein Secrets

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

fic even though no one seems to be in control. There are three laws of artificial intelligence. The first, known as Ashby’s Law, after cybernetician W. Ross Ashby, author of Design for a Brain, states that any effective control system must be as complex as the system it controls. The second law, articulated by

and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

rence to make a difference. In this way of looking at the world, a control system needed to be as complex as the system it controlled. Cyberneticist W. Ross Ashby proved that this was true in a precise mathematical sense, in what is now called Ashby’s Law of Requisite Variety, or sometimes the First Law of Cybe

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

fic even though no one seems to be in control. There are three laws of artificial intelligence. The first, known as Ashby’s Law, after cybernetician W. Ross Ashby, author of Design for a Brain, states that any effective control system must be as complex as the system it controls. The second law, articulated by

and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

rence to make a difference. In this way of looking at the world, a control system needed to be as complex as the system it controlled. Cyberneticist W. Ross Ashby proved that this was true in a precise mathematical sense, in what is now called Ashby’s Law of Requisite Variety, or sometimes the First Law of Cybe