Epstein Secrets

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

plied his knowledge of control and feedback loops to neuro-muscular feedback in living systems, and was responsible for bringing Warren McCulloch and Walter Pitts to MIT, where they did their pioneering work on artificial neural networks. Wiener’s central insight was that the world should be understood in term

and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

o capture the excitement felt by participants, as mathematics joined theoretical biology (Arturo Rosenblueth) and information theory (Claude Shannon, Walter Pitts, Warren McCulloch) to produce a barrage of interdisciplinary research and publications viewed as changing not just the way science was done but the w

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

plied his knowledge of control and feedback loops to neuro-muscular feedback in living systems, and was responsible for bringing Warren McCulloch and Walter Pitts to MIT, where they did their pioneering work on artificial neural networks. Wiener’s central insight was that the world should be understood in term

and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

o capture the excitement felt by participants, as mathematics joined theoretical biology (Arturo Rosenblueth) and information theory (Claude Shannon, Walter Pitts, Warren McCulloch) to produce a barrage of interdisciplinary research and publications viewed as changing not just the way science was done but the w