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nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
a physicist and director of MIT’s Center for Bits and Atoms. He is the author of AB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Designing Reality, and founder of the global fab lab network. Alison Gopnik is a developmental psychologist at UC Berkeley; her books include The Philosophical Baby a
and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
a physicist and director of MIT’s Center for Bits and Atoms. He is the author of FAB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Designing Reality, and founder of the global fab lab network. Discussions about artificial intelligence have been oddly ahistorical. They could better be described as
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
a physicist and director of MIT’s Center for Bits and Atoms. He is the author of AB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Designing Reality, and founder of the global fab lab network. Alison Gopnik is a developmental psychologist at UC Berkeley; her books include The Philosophical Baby a
and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
a physicist and director of MIT’s Center for Bits and Atoms. He is the author of FAB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Designing Reality, and founder of the global fab lab network. Discussions about artificial intelligence have been oddly ahistorical. They could better be described as
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